Auditory Assault Magazine

All about music, novels, movies and other random popular things, but Mostly about music

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Mar 07

Jesse Malin and the St Mark’s Social – Tuesday 22nd November – Ruby Lounge – Manchester

Jesse Malin is on fire this evening, playing in a packed out venue, Manchester’s  trendy Ruby Lounge, he has returned to the UK this fall with his band The Saint Marks Social. The fans are there to see Malin and his extraordinary band play his 2003 debut album “The fine art of self destruction” in its entirety and in the way as an artist he intended it to be heard. The set list kicked off with “Queen of the Underworld” drowning the audience in sublime and pure rock and roll. Guitarist Todd Youth (formerly of  D Generation and Danzig) plays in an unrelenting fashion, knocking out perfect riffs with a tonne of energy. Bassist Johnny Martin shows the crowd exactly how a bass is meant to be played, none of this light fingered touch but rather hammering it out and becoming one with his instrument.  One of the highlights of the evening were both renditions of the moving and inspirational song ‘Brooklyn’ (band and acoustic version) which deals with growing up and being out on your own, the audience sing along, sharing this moment with the lyrical genius they have come to see.  

The band seem a little tired, but this is as I find out later due to the fact they have only just arrived in the UK and despite the jet lag play as energetically as one would expect a band with such commitment to do. Not only do they play the album in full but they return to quench the audience’s appetites with a variety of songs off the later albums, in total playing for a glorifying two hours and worth every moment of it.

Words: Emma Ashley  
Dec 09
Jesse Malin and the St Mark’s Social – Tuesday 22nd November – Ruby Lounge – Manchester Jesse Malin is on fire this evening, playing in a packed out venue, Manchester’s  trendy Ruby Lounge, he has returned to the UK this fall with his band The Saint Marks Social. The fans are there to see Malin and his extraordinary band play his 2003 debut album “The fine art of self destruction” in its entirety and in the way as an artist he intended it to be heard. The set list kicked off with “Queen of the Underworld” drowning the audience in sublime and pure rock and roll. Guitarist Todd Youth (formerly of  D Generation and Danzig) plays in an unrelenting fashion, knocking out perfect riffs with a tonne of energy. Bassist Johnny Martin shows the crowd exactly how a bass is meant to be played, none of this light fingered touch but rather hammering it out and becoming one with his instrument.  One of the highlights of the evening were both renditions of the moving and inspirational song ‘Brooklyn’ (band and acoustic version) which deals with growing up and being out on your own, the audience sing along, sharing this moment with the lyrical genius they have come to see.   The band seem a little tired, but this is as I find out later due to the fact they have only just arrived in the UK and despite the jet lag play as energetically as one would expect a band with such commitment to do. Not only do they play the album in full but they return to quench the audience’s appetites with a variety of songs off the later albums, in total playing for a glorifying two hours and worth every moment of it. Words: Emma Ashley  

A few years ago I was browsing livejournal. When it was cool to update your LJ and everyone posted about their woes and favorite bands. Well I came across the name Lindi Ortega. I immediately clicked the link and found myself lost in tracks like Misery my love, coffee shops and Nothing at all. Nothing at all really described how I felt at times. Whenever I was down I’d tell myself it could be worse you could be feeling nothing.  So I went on a promotional spree. I’d spread the word on Lindi like a fire. Soon I had friends asking me where to buy a CD. I of course lead them to her website and myspace. Well Lindi’s debut album Little Red Boots  is officially out. “you’re gonna know me by my little red boots” she tells you. “You’re gonna know me by my ruby red lips” she warns once more. But I think we’re going to know her by her persistence, strong voice and willingness to bring back real country. Lindi Ortega is Artist of the month because she is a true artist.

-Jacqueline “Jax” Milom
Dec 07
Dec 07

December 2011 Artist of the Month: Lindi Ortega

Sorry and the Sinatra’s Interview

The Retro Bar, Manchester, Wednesday 21st October 09

 

 The weather luckily was rather good, if not a little cold but it didn’t stop people coming out to the Retro Bar to see Sorry and the Sinatra’s supported by Redneck Zombies and Zombina and the Skeletons. Before the show I managed to catch up with the guys and see how the UK is going for them  and what advice they could give other students.  I’d been thinking there had to be differences between playing in the USA and the UK so I asked singer Scott what he thought; “ erm there’s really not much difference, just the fans are a little more up for it here. All in all the US is so big every territory is very err different you could play the North east and it could be horrible and then go down south and it could be fantastic, it’s just such a big place it’s like a different country. Yeah there’s more loyal fans in here, in the States it’s harder to keep their attention.” He says.

The band first played the UK last summer, being an American band over here will always be different and on first approaching the subject Scott only had one word to say, “Nerve-racking,” then laughed. He then continued “I mean it was out first show with the proper line-up err no body had really heard of us over here. We were playing with the Loyalties and the Eureka Machines, both great bands. Going on after them was a bit nerve-racking but still like a second homcoming as their were all our frineds in the crowd.” He explains. “It was re-affirming too,” the bands bassist Roger adds.

 In the media we hear so many ridiculous stories of celebrities and their demanding riders, for bands especially ones starting out they don’t get this priviallge and instead get to remember important items to take on tour. They gave me some advice on what is important to take with you, “My hat,” guitarist Dave says, “Babywipes,” was Roger’s answer, “Socks and Underwear,” were important for Scott and “Ibprophen or some type of painkiller…which we don’t have,” Roger added looking slightly sorry for himself.

 Earlier on last year they bought out their debut album, ‘Highball roller,’ the name is befitting of the band,” Actually when we were writing the record all we were drinking were highballs which is scotch and soda and we were trying to figure out a name for the record, and I was like what about highball roller? I don’t even know where the roller came in.” Scott explains. “Yeah I think that we were toying with a couple of other things, it might have not been that or  that deep.” Roger added. Their debate then continues to talking about other names they’d had at the time whilst under the influence of the highball rollers and the 4 of them start laughing, they’re a fun band to be around but serious about what they’re doing.

 When they were hear last they recieved a great response from music magazines and respectable London newspapers, I asked them what’s it like for them to get this type of press. “Re-affirming, you know you’re doing a good job. You never know with the press, overall they’ve been really kind to us.” Scott says. I couldn’t help but wonder what the differences are between here and the states, so Roger explained it simply, “I think it’s harder to get in the States because it’s a smaller territory here it’s easier to get it, over there you have to find it.”

 It would be hard to interview any band without asking their influences amoung the names were bands like AC/DC, The Smiths, The Bronx, The New York Doll and Iron Maiden from Dave and their Drummer Lenny says, “Social Distortion, Rancid, UK Subs,”by this time there wasn;t much else to name as Roger points out before mentioning Old Kiss and Alice Cooper.

 The UK fans were out in full force and I wanted to see what the band had to say to them and other fans reading about them; “come have a drink with us, come to our shows we’re actually really good.” Scott says enthusiastly and Roger adds, “you might hear of us sometime.” I suppose if you’re reading this interview then now you have.

 I finish by asking if they have any other advice for musicians, the industry, job and passion were pretty much summed up by the band when Roger says, “Go to college, actually no you know what don’t listen to the ney-says it’s cliche and corny but don’t listen to the ney-says  it’ll be a rough go but if you really want it.” Then added, “be prepared.” Scott recommends, “It’s never gonna be easy, don’t overdo it no matter how big you make it,there’s always gonna be a drawback stay with it.” Lenny looks at me seriously and says, “If you love it, do it.”

 With that they’re finished and off to get ready to play another great Sorry the Sinatra’s show on their first proper UK tour.

 

Emma C. Ashley

 
Dec 05
Sorry and the Sinatra’s Interview The Retro Bar, Manchester, Wednesday 21st October 09    The weather luckily was rather good, if not a little cold but it didn’t stop people coming out to the Retro Bar to see Sorry and the Sinatra’s supported by Redneck Zombies and Zombina and the Skeletons. Before the show I managed to catch up with the guys and see how the UK is going for them  and what advice they could give other students.  I’d been thinking there had to be differences between playing in the USA and the UK so I asked singer Scott what he thought; “ erm there’s really not much difference, just the fans are a little more up for it here. All in all the US is so big every territory is very err different you could play the North east and it could be horrible and then go down south and it could be fantastic, it’s just such a big place it’s like a different country. Yeah there’s more loyal fans in here, in the States it’s harder to keep their attention.” He says. The band first played the UK last summer, being an American band over here will always be different and on first approaching the subject Scott only had one word to say, “Nerve-racking,” then laughed. He then continued “I mean it was out first show with the proper line-up err no body had really heard of us over here. We were playing with the Loyalties and the Eureka Machines, both great bands. Going on after them was a bit nerve-racking but still like a second homcoming as their were all our frineds in the crowd.” He explains. “It was re-affirming too,” the bands bassist Roger adds.  In the media we hear so many ridiculous stories of celebrities and their demanding riders, for bands especially ones starting out they don’t get this priviallge and instead get to remember important items to take on tour. They gave me some advice on what is important to take with you, “My hat,” guitarist Dave says, “Babywipes,” was Roger’s answer, “Socks and Underwear,” were important for Scott and “Ibprophen or some type of painkiller…which we don’t have,” Roger added looking slightly sorry for himself.  Earlier on last year they bought out their debut album, ‘Highball roller,’ the name is befitting of the band,” Actually when we were writing the record all we were drinking were highballs which is scotch and soda and we were trying to figure out a name for the record, and I was like what about highball roller? I don’t even know where the roller came in.” Scott explains. “Yeah I think that we were toying with a couple of other things, it might have not been that or  that deep.” Roger added. Their debate then continues to talking about other names they’d had at the time whilst under the influence of the highball rollers and the 4 of them start laughing, they’re a fun band to be around but serious about what they’re doing.  When they were hear last they recieved a great response from music magazines and respectable London newspapers, I asked them what’s it like for them to get this type of press. “Re-affirming, you know you’re doing a good job. You never know with the press, overall they’ve been really kind to us.” Scott says. I couldn’t help but wonder what the differences are between here and the states, so Roger explained it simply, “I think it’s harder to get in the States because it’s a smaller territory here it’s easier to get it, over there you have to find it.”  It would be hard to interview any band without asking their influences amoung the names were bands like AC/DC, The Smiths, The Bronx, The New York Doll and Iron Maiden from Dave and their Drummer Lenny says, “Social Distortion, Rancid, UK Subs,”by this time there wasn;t much else to name as Roger points out before mentioning Old Kiss and Alice Cooper.  The UK fans were out in full force and I wanted to see what the band had to say to them and other fans reading about them; “come have a drink with us, come to our shows we’re actually really good.” Scott says enthusiastly and Roger adds, “you might hear of us sometime.” I suppose if you’re reading this interview then now you have.  I finish by asking if they have any other advice for musicians, the industry, job and passion were pretty much summed up by the band when Roger says, “Go to college, actually no you know what don’t listen to the ney-says it’s cliche and corny but don’t listen to the ney-says  it’ll be a rough go but if you really want it.” Then added, “be prepared.” Scott recommends, “It’s never gonna be easy, don’t overdo it no matter how big you make it,there’s always gonna be a drawback stay with it.” Lenny looks at me seriously and says, “If you love it, do it.”  With that they’re finished and off to get ready to play another great Sorry the Sinatra’s show on their first proper UK tour.   Emma C. Ashley  

Avenged Sevenfold, A Tribute to the Rev

 

It seems only fitting that the current band of the month is avenged sevenfold with the tragic loss of their drummer, James ‘The Rev’ Sullivan at the end of last year. The Rev passed away from what Orange County Police say is natural causes in his home on the afternoon of December 28th 2009, age 28.

 The news hit first through Avenged Sevenfold’s official website where they posted, “It is with great sadness and heavy hearts that we tell you of the passing today of Jimmy “The Rev” Sullivan. Jimmy was not only one of the world’s best drummers, but more importantly he was our best friend and brother. Our thoughts and prayers go out to Jimmy’s family and we hope that you will respect their privacy during this difficult time. Jimmy you are forever in our hearts. We love you. M Shadows, Synyster Gates, Zacky Vengeance and Johnny Christ”.

 Over the years Avenged Sevenfold have hit rock media again and again with their ever-changing sounds, risqué interviews and exciting music videos. Playing festivals and concerts all over the world they have become an iconic band, original and yet true to rock n’ roll. Their lyrics on everything from sex, drugs and rock n’ roll to religion and politics mean that they don’t take things too seriously but deliver some important messages. The Rev was always a part of the fun and the antics, a particular moment that springs to mind is in the band’s all Excess DVD where they are in the park by some ducks and he goes, “look at the size of that fucking duck!” and starts chasing it. Always charismatic, always a character, the Rev will truly be missed.

I was lucky enough to catch the band twice in the UK once at Download festival in 2006 and again last year at Sonisphere festival, they play with acute accuracy and never seize to disappoint the audience. In 2006 I met them, I especially remember how friendly, sweet and funny the Rev was to all fans, never moaning about signing autographs or having photo; nothing was too much for him, he is truly a role-model for other rock stars.

Many tributes across social networking sites appeared within 24 hours of the news, cards are being sent to the band and a scrapbook is being made to send to them with fans tributes.

The Rev was an amazing drummer and an extremely talented musician who shall be greatly missed by family, friends, fans and fellow musicians the world over, it is a sad day when another great rock star is taken from the world too early.

RIP ‘The Rev’ - February 9, 1981 – December 28, 2009

For more information and for fan tributes visit;

http://www.avengedsevenfold.com/

Words: Emma Ashley
Dec 05
Avenged Sevenfold, A Tribute to the Rev   It seems only fitting that the current band of the month is avenged sevenfold with the tragic loss of their drummer, James ‘The Rev’ Sullivan at the end of last year. The Rev passed away from what Orange County Police say is natural causes in his home on the afternoon of December 28th 2009, age 28.  The news hit first through Avenged Sevenfold’s official website where they posted, “It is with great sadness and heavy hearts that we tell you of the passing today of Jimmy “The Rev” Sullivan. Jimmy was not only one of the world’s best drummers, but more importantly he was our best friend and brother. Our thoughts and prayers go out to Jimmy’s family and we hope that you will respect their privacy during this difficult time. Jimmy you are forever in our hearts. We love you. M Shadows, Synyster Gates, Zacky Vengeance and Johnny Christ”.  Over the years Avenged Sevenfold have hit rock media again and again with their ever-changing sounds, risqué interviews and exciting music videos. Playing festivals and concerts all over the world they have become an iconic band, original and yet true to rock n’ roll. Their lyrics on everything from sex, drugs and rock n’ roll to religion and politics mean that they don’t take things too seriously but deliver some important messages. The Rev was always a part of the fun and the antics, a particular moment that springs to mind is in the band’s all Excess DVD where they are in the park by some ducks and he goes, “look at the size of that fucking duck!” and starts chasing it. Always charismatic, always a character, the Rev will truly be missed. I was lucky enough to catch the band twice in the UK once at Download festival in 2006 and again last year at Sonisphere festival, they play with acute accuracy and never seize to disappoint the audience. In 2006 I met them, I especially remember how friendly, sweet and funny the Rev was to all fans, never moaning about signing autographs or having photo; nothing was too much for him, he is truly a role-model for other rock stars. Many tributes across social networking sites appeared within 24 hours of the news, cards are being sent to the band and a scrapbook is being made to send to them with fans tributes. The Rev was an amazing drummer and an extremely talented musician who shall be greatly missed by family, friends, fans and fellow musicians the world over, it is a sad day when another great rock star is taken from the world too early. RIP ‘The Rev’ - February 9, 1981 – December 28, 2009 For more information and for fan tributes visit; http://www.avengedsevenfold.com/ Words: Emma Ashley

Artist: Hayley
Album: Hayley (debut)
Release Date: 8th November 08 
Website: http://www.myspace.com/haleyband

 When I first heard that Steve Hayley (ex. Trashlight Vision) was going on to do solo work I was greatly excited to see what he would come up with. Before I’d heard the album I was anticipating it greatly, wondering whether it would be yet another album to sound the same as similar bands before or whether it was really going to live up to what I’d hoped it to be, I had nothing to worry about… Now the debut album has finally been realised it’s defiantly been worth the wait. Along with his band mates, (Steve Hayley on Vocals and Guitar, Stripes on Drums/vocals, Vincent Hyde on lead guitar/vocals, and Mitch Hug on Bass/vocals), Hayley’s produced a fantastic album with a great mix of tracks. The first track on the album gives you a great flavour of what’s to come, “Burning Witches” is an addictively catchy song that you’ll find yourself singing for the rest of the day, the lyrics are fantastic and the rhythm is one that makes you want to get up and dance. “Hallowed” is one of the fastest songs on the track which is great for getting into a party mood with lyrics to shout and join along with, fast drum beats and a catchy chorus. “Pain is Love” is I guess a song we can all relate to! So a great song to sing along to if you’re feeling a little heart-broken or hurt, but again a great song for any day, a little heavier than some of the other songs which adds a nice mix into the album and is great to shout along to, with yet another great guitar solo. 
“I’ll be there” is a good feel good song with a great rhythm and a nice guitar solo near the end. The other tracks include, “Blacked Out, Devour, Stop this ride, Leeches, Apathy and Broken Guitars”. 
 The last track on the album “Drown me” is a great rock n’ roll song with a distorted effect on the vocals which gives it an old skool feel, defiantly a great track to end the album on. If you’re the kind of person who loves some awesome rock music that isn’t too modern this is defiantly an album for you, with all the things you’d expect and perhaps some you wouldn’t but an album non the less for those who love their rock music. Personally I think it’s a fantastic debut album, no matter what some people may think of bands on a lower budget or not going through a mainstream label, the band still delivers the quality in their music which is worth a listen and to me when it comes to music that’s what matters.
 If anything….it leaves you wanting more.

Words: Emma Ashley
Dec 05
Artist: HayleyAlbum: Hayley (debut) Release Date: 8th November 08 Website: http://www.myspace.com/haleyband  When I first heard that Steve Hayley (ex. Trashlight Vision) was going on to do solo work I was greatly excited to see what he would come up with. Before I’d heard the album I was anticipating it greatly, wondering whether it would be yet another album to sound the same as similar bands before or whether it was really going to live up to what I’d hoped it to be, I had nothing to worry about… Now the debut album has finally been realised it’s defiantly been worth the wait. Along with his band mates, (Steve Hayley on Vocals and Guitar, Stripes on Drums/vocals, Vincent Hyde on lead guitar/vocals, and Mitch Hug on Bass/vocals), Hayley’s produced a fantastic album with a great mix of tracks. The first track on the album gives you a great flavour of what’s to come, “Burning Witches” is an addictively catchy song that you’ll find yourself singing for the rest of the day, the lyrics are fantastic and the rhythm is one that makes you want to get up and dance. “Hallowed” is one of the fastest songs on the track which is great for getting into a party mood with lyrics to shout and join along with, fast drum beats and a catchy chorus. “Pain is Love” is I guess a song we can all relate to! So a great song to sing along to if you’re feeling a little heart-broken or hurt, but again a great song for any day, a little heavier than some of the other songs which adds a nice mix into the album and is great to shout along to, with yet another great guitar solo.  “I’ll be there” is a good feel good song with a great rhythm and a nice guitar solo near the end. The other tracks include, “Blacked Out, Devour, Stop this ride, Leeches, Apathy and Broken Guitars”.   The last track on the album “Drown me” is a great rock n’ roll song with a distorted effect on the vocals which gives it an old skool feel, defiantly a great track to end the album on. If you’re the kind of person who loves some awesome rock music that isn’t too modern this is defiantly an album for you, with all the things you’d expect and perhaps some you wouldn’t but an album non the less for those who love their rock music. Personally I think it’s a fantastic debut album, no matter what some people may think of bands on a lower budget or not going through a mainstream label, the band still delivers the quality in their music which is worth a listen and to me when it comes to music that’s what matters.  If anything….it leaves you wanting more. Words: Emma Ashley

This month we have an ep review rather than an album review simply because this ep. needed reviewing and certainly deserves a mention in this months auditory assault.
 The ep. is “Sex, Murder, Art, Baby!” The first ep from former Dope. Murderdolls and Trashlight Vision member Acey Slade. The album includes 3 singles along with remixes from other artists such as Skinny Disco (Deathstars) and Piggy D (Amen, wed13, Rob Zombie). There’s 6 tracks on the ep which have a nice range to them and is something different to what I had first expected. The ep. Sounds like a cross between rock and industrial metal, it’s like a cross between NIN, Rob Zombie and Acey Slade’s work with his band TLV. This is defiantly an ep you can put on and dance and sing along too but also mosh and rock out too which is a good mix for fans of all different genres of rock music.
 The album came with a sticker and patch and was personally signed and numbered by Acey himself. Only 200 copies were made and it is now sold out, however you can stream MP3’s from his Myspace at www.myspace.com/aceyslademusic and I can guarantee it is well worth the wait!

Words: Emma Ashley
Dec 05
This month we have an ep review rather than an album review simply because this ep. needed reviewing and certainly deserves a mention in this months auditory assault. The ep. is “Sex, Murder, Art, Baby!” The first ep from former Dope. Murderdolls and Trashlight Vision member Acey Slade. The album includes 3 singles along with remixes from other artists such as Skinny Disco (Deathstars) and Piggy D (Amen, wed13, Rob Zombie). There’s 6 tracks on the ep which have a nice range to them and is something different to what I had first expected. The ep. Sounds like a cross between rock and industrial metal, it’s like a cross between NIN, Rob Zombie and Acey Slade’s work with his band TLV. This is defiantly an ep you can put on and dance and sing along too but also mosh and rock out too which is a good mix for fans of all different genres of rock music.  The album came with a sticker and patch and was personally signed and numbered by Acey himself. Only 200 copies were made and it is now sold out, however you can stream MP3’s from his Myspace at www.myspace.com/aceyslademusic and I can guarantee it is well worth the wait! Words: Emma Ashley

Deathstars are this month’s band of the month which seems appropriate with the recent release of their 3rd album, “Night Electric Night”. It’s the long-awaited follow-up to their previous album, “Termination Bliss” and is fuelled with as much sex, drugs and rock n roll as the former. This album however is more to do with their personal lives and issues.
 Back in 2007 Deathstars won the Metal Hammer Golden God’s award in the UK for best newcomer and since then have gone on to make many new fans with their debauchery, music, imagery and passion for real rock. The five members of the band Whiplasher, Nightmare Industries, Cat Casino, Skinny Disco and Bone W Machine are off on a world tour later on this year and will start with mainland Europe and the united Kingdom and from there….who knows.  One thing is for sure Deathstars are storming across the world country by country exciting fans everywhere and continuing to spread the word of gothic glamour and living up to their impressive reputation.

Words: Emma Ashley
Dec 05
Deathstars are this month’s band of the month which seems appropriate with the recent release of their 3rd album, “Night Electric Night”. It’s the long-awaited follow-up to their previous album, “Termination Bliss” and is fuelled with as much sex, drugs and rock n roll as the former. This album however is more to do with their personal lives and issues.  Back in 2007 Deathstars won the Metal Hammer Golden God’s award in the UK for best newcomer and since then have gone on to make many new fans with their debauchery, music, imagery and passion for real rock. The five members of the band Whiplasher, Nightmare Industries, Cat Casino, Skinny Disco and Bone W Machine are off on a world tour later on this year and will start with mainland Europe and the united Kingdom and from there….who knows.  One thing is for sure Deathstars are storming across the world country by country exciting fans everywhere and continuing to spread the word of gothic glamour and living up to their impressive reputation. Words: Emma Ashley

Sonisphere Festival

Saturday 1st August – Sunday 2nd August

Sonisphere was born this year with festivals taking place across Europe being a rock touring rock festival! It was born at the legendary venuefor festivals and concerts of Knebworth…

 

Knebworth has been home to rock legends such as Queen, Pink Floyd and Led Zeppelin in the past.

 After attending other festivals such as ‘Download festival at Donnington there was something I noticed that was different about Sonisphere straight away, it was smaller. However this wasn’t a bad thing, sometimes festivals can be overcrowded, the queues for the toilets and bars are ridiculous and you can never get any sleep, well as usual there were some queues and partying is always to be expected however Sonisphere was a festival the mind and body could cope with.

 There were two main stages so that people could catch all the main bands without missing one. There was also a third stage and a stage provided by the Jagermeister Truck and Monster Energy Drink had a stage with a DJ playing rock and metal at night along with dancing from ‘The Fuel Girls’. Entertainment was provided during the day with Guitar Hero, Guitar Hero Metallica, a funfair, arcades, shops, stalls, oxygen bar, bars, motorbike stunts and shows and loads more.

Saturday 1st August –

 The first band I saw on the Saturday was Soil who provided a lively start to the day with fans singing along loudly to the classic ‘Halo’. Anthrax made a comeback on the main stage with new singer Dan Nelson and the release of ‘worship music’ set to be out this August. The moss pits were plenty and fans and others alike enjoyed with enthusiasm.

Skindred got the party really going with their lively and brilliant mix of Reggae and metal. Singing Benji was full of live and enthusiasm as always running all over the stage and interacting with the crowd. Many people (including myself) could be seen dancing and singing along enjoying the early afternoon sunshine.

On the third stage British ‘newcomers’ Glamour of the Kill who toured with Wednesday 13 earlier on in the year played a rocking set with a rather interesting, loud and fast wall of death! The tent was rather packed.

By the time rock veterans ‘Heaven and Hell’ came on stage it was pouring down with rain. Unfortunately this spoiled the atmosphere somewhat but through the thunder, rain, flooding and mud the crowds were still there head banging. Heaven and Hell is made up of members from Black Sabbath with Ronnie James Dio, Geezer Butler, Tony Iommi and Vinny Appice. They brought a great stage show along with statues of gargoyles, smoke, fire, sparks and videos, certainly one to watch out for. 

Bullet for my Valentine weren’t as good as I’d hoped they would be, they played a good set and played favourites such as “these tears don’t fall (they crash around me)” along with new songs previously unheard. I got the impression from the crowd that the new songs won’t be as greatly received but still they played a good set. The problem wasn’t really the band but more the wind and the weather.

Headlining the Saturday were ‘Linkin Park’, defiantly one to watch if anything just to say you’d seen them life. As with all bands a highlight was seeing the bands most famous songs such as, ‘Crawling’ and ‘In the end’. However the set was perhaps too long and dragged off onto tangents a bit too often.

Other bands to play included Taking Back Sunday, Airbourne, The Used, Thunder, The Wildhearts, Rolo Tomassi, Fact and more.

Sunday 2nd August –

Sunday started with Buck Cherry and their dirty rock n’ roll music and certainly knew how to get the day started.

Later on Machine Head (who originally had pulled out after being placed under Limp Bizkit on the Bill) played as the special guests, many mosh pits and fists in the air.

Corey Taylor’s set on the third stage was crowded well so crowded in fact that I only got to see the last song, Slipknot’s front man performed his first colo acoustic set playing many Stonesour and Slipknot classics.

Limp Bizkit played on the main stage and at first I anticipated whether or not they’d be any good, my worries were soon put to rest and I was taken back by years listening to the sounds of songs famous for being silly such as, ‘Nookie’. And Fred Durst blasting out the lyrics to ‘Rollin’ and ‘Break Stuff’. Having Wes back in the band was what helped make the set if not, made it.

Alice in Chains played a good set in the late afternoon, attracting perhaps a slightly older crowd but still rocking none-the-less.

Nine Inch Nails played an interesting set, Trent Reznor was on full form if I had one problem it was that the set was perhaps a little too quiet and slow. NIN are known for their many instrumental pieces and slower pieces but for their ‘swan song’ in Europe it could have perhaps done with being a little louder and livelier. However with ‘March of the Pigs’, ‘The Hand that Feeds’ and some new songs for hard-core fans Reznor was sure to please all.

Avenged Sevenfold  a show which as usual sums up the phrase ‘rock n’ roll’ with songs from their latest self-titled album and favourites from ‘City of Evil’ and some even older classics. M Shadows voice was loud, powerful, manly and if even a slightly eerie but in a good way. Sound was carried well and guitar solos by Zacky Vengeance and Synester Gates were greatly lapped up by the crowd.

To headline and close the weekend were metal and rock legends Metallica, whether you’re a massive diehard fan or someone who just knows their most famous songs it was a set to please all and end the festival with a bang. With fireworks, guitar solos and cream pies flying around stage for James Hetfield’s birthday there was nothing to be disappointed with! In true Metallica style there was more than one encore and by the time the band had finished the crowd were left, appetites wet and wanting more.

Other bands to play included Mastodon, Cancer Bats, Killing Joke, Feeder, Thin Lizzy, Architects, Hundred Reasons, Zebrahead, The Ataris and more.

Sonisphere festival proved to be an awesome weekend and hopefully with it being a success we shall see another one next year.

Words: Emma Ashley
Dec 05
Dec 05

Sonisphere Festival Review 2009 

AntiProduct Interview 2009

First of all thank you for doing this interview and answering the following questions. At auditory assault we always ask every band as their first question a question the band before asked so here’s yours from ‘Avoid the Destiny’.

VA: What’s your dream place to travel? I’m going to Japan next month, which is my dream place, so I have to ask that.

AntiProduct: Angelina Jolie’s vagina 

Emma: So far what do you feel has been your greatest achievement?

AntiProduct: Not getting shot for being the way I am.  That, Ozzfest and now touring the world with Marky Ramone and Michale Graves formerly of the Misfits keeping the Ramones music vibrant alive and very sweaty. 
New AntiProduct album, now officially titled PLEASE TAKE YOUR CASH is way up there for sure.  For that matter Sylvia Massy producing us didn’t suck either.

E: The album made in the U.S.A. is self produced, when did you start producing records?

AntiProduct: When I realised I’m the most anal compulsive man alive.  Even Sylvia would startle herself when I’d show up with songs that had 130 tracks on ‘em.  She aid she’d never mixed ANYTHING, not SOAD, Chilli Peppers, Pumpkins, etc had bigger sessions.

 
 E: Where did the name anti-product come from?

Ted Nugent was taken

 
E: Apart from music where do you draw other influences such as movies, books etc.?

Antiproduct: Life and hypocrisy with a sense of humour and a beat you can fuck to


E: What was your original concept and idea for the band and how has it developed?

Antiproduct:  all by accident and we are on a collision course with destiny.

E: Antiproduct has longevity without the help of major labels, you lost out to the best new band in the Kerrang awards to lost prophets who change their style and content with every album when the fashion changes, do you feel cheated by the fact you play such small places when you’re in essence an arena rock band?

Antiproduct: ‘ell, I love the concept of a ruthlessly heavy band with Abba harmonies that are a stadium rock band called AntiProduct.  For me that works.  I made my idea of my favourite band when I was 16 and the fact that we can tour as much as we do (skin disease not withstanding) without any corporate help and we have an insanely dedicated, if underground, following makes me very proud.  I have seen so many bands I know get signed to Megacorp Records and when they don’t sell a billion units in the first minute they come out, the label drops ‘em and they are washed up at 24.  Fuckin retarded.

E: To cover good vibrations was ambitious how did you make it so good that it stands up to the original?

AntiProduct: Well, we’re all geniusii and had Sylvia, who is geniusier than we are produce it.  How could we go wrong, he said blithely.
 

E: I have a question from a fan I’m not sure whether it’ll mean much to you but they want me to ask about the time you threw up on Chris Evans from Radio 4?

AntiProduct: Oh yeesh.  Fuck I almost forgot about that.  Yea, I was drunk asleep on top of the van we drove through London when I got all naked to unapologetically self promote.  I puke off the top of this fuckin thing (we ere parked outside of the Intrepid Fox at the time) and he just happened to be walking by.  Opps. Still not the stupidest thing I ever did.  I think the riot in Italy when we opened for Slayer would qualify for that honour.

E: Alex when you state your influences ranging from the beach boys to cheap trick, kiss and the Beatles how do you carve the influences into one niche that is anti product?

Alex:  with a great deal of effort and weed.

E: Do you have any pre-show rituals that you do to ‘boost-confidence’ or prepare yourselves?

AntiProduct:  goat sacrifices and Bachanalian sexual excess ala Caligula.  Thanks for asking

E: When can we expect to hear some new music from you guys?

AntiProduct:  May 2009

E: Another thing we do at the end of our interviews is ask you to ask me a question so it can be any question you like.

AntiProduct: Who are you?

E: I’m Emma, thanks for asking J Lastly have you got a question for us that we can ask the next band we interview?

AntiProduct: Why does your girlfriend keep facebooking me naked pictures of her getting fucked by a donkey?

Words: Emma Ashley
Dec 05
AntiProduct Interview 2009 First of all thank you for doing this interview and answering the following questions. At auditory assault we always ask every band as their first question a question the band before asked so here’s yours from ‘Avoid the Destiny’. VA: What’s your dream place to travel? I’m going to Japan next month, which is my dream place, so I have to ask that. AntiProduct: Angelina Jolie’s vagina Emma: So far what do you feel has been your greatest achievement? AntiProduct: Not getting shot for being the way I am.  That, Ozzfest and now touring the world with Marky Ramone and Michale Graves formerly of the Misfits keeping the Ramones music vibrant alive and very sweaty.  New AntiProduct album, now officially titled PLEASE TAKE YOUR CASH is way up there for sure.  For that matter Sylvia Massy producing us didn’t suck either. E: The album made in the U.S.A. is self produced, when did you start producing records? AntiProduct: When I realised I’m the most anal compulsive man alive.  Even Sylvia would startle herself when I’d show up with songs that had 130 tracks on ‘em.  She aid she’d never mixed ANYTHING, not SOAD, Chilli Peppers, Pumpkins, etc had bigger sessions.   E: Where did the name anti-product come from? Ted Nugent was taken  E: Apart from music where do you draw other influences such as movies, books etc.? Antiproduct: Life and hypocrisy with a sense of humour and a beat you can fuck toE: What was your original concept and idea for the band and how has it developed? Antiproduct:  all by accident and we are on a collision course with destiny. E: Antiproduct has longevity without the help of major labels, you lost out to the best new band in the Kerrang awards to lost prophets who change their style and content with every album when the fashion changes, do you feel cheated by the fact you play such small places when you’re in essence an arena rock band? Antiproduct: ‘ell, I love the concept of a ruthlessly heavy band with Abba harmonies that are a stadium rock band called AntiProduct.  For me that works.  I made my idea of my favourite band when I was 16 and the fact that we can tour as much as we do (skin disease not withstanding) without any corporate help and we have an insanely dedicated, if underground, following makes me very proud.  I have seen so many bands I know get signed to Megacorp Records and when they don’t sell a billion units in the first minute they come out, the label drops ‘em and they are washed up at 24.  Fuckin retarded.E: To cover good vibrations was ambitious how did you make it so good that it stands up to the original? AntiProduct: Well, we’re all geniusii and had Sylvia, who is geniusier than we are produce it.  How could we go wrong, he said blithely.  E: I have a question from a fan I’m not sure whether it’ll mean much to you but they want me to ask about the time you threw up on Chris Evans from Radio 4? AntiProduct: Oh yeesh.  Fuck I almost forgot about that.  Yea, I was drunk asleep on top of the van we drove through London when I got all naked to unapologetically self promote.  I puke off the top of this fuckin thing (we ere parked outside of the Intrepid Fox at the time) and he just happened to be walking by.  Opps. Still not the stupidest thing I ever did.  I think the riot in Italy when we opened for Slayer would qualify for that honour. E: Alex when you state your influences ranging from the beach boys to cheap trick, kiss and the Beatles how do you carve the influences into one niche that is anti product? Alex:  with a great deal of effort and weed.E: Do you have any pre-show rituals that you do to ‘boost-confidence’ or prepare yourselves? AntiProduct:  goat sacrifices and Bachanalian sexual excess ala Caligula.  Thanks for askingE: When can we expect to hear some new music from you guys? AntiProduct:  May 2009E: Another thing we do at the end of our interviews is ask you to ask me a question so it can be any question you like. AntiProduct: Who are you? E: I’m Emma, thanks for asking J Lastly have you got a question for us that we can ask the next band we interview? AntiProduct: Why does your girlfriend keep facebooking me naked pictures of her getting fucked by a donkey? Words: Emma Ashley

Auditory Assault Magazine

Posted on Wednesday March 7th 2012 at 04:28am.

We ask that you please reblog this. #STOPKONY is trending on twitter, and is being spread around the internet. Please take the pledge or donate or partake in posting posters to make sure Kony becomes “famous”. He needs to be arrested and stopped.

Auditory Assault Magazine

Posted on Friday December 9th 2011 at 05:09pm. Its tags are listed below.

Jesse Malin and the St Mark’s Social – Tuesday 22nd November – Ruby Lounge – Manchester Jesse Malin is on fire this evening, playing in a packed out venue, Manchester’s  trendy Ruby Lounge, he has returned to the UK this fall with his band The Saint Marks Social. The fans are there to see Malin and his extraordinary band play his 2003 debut album “The fine art of self destruction” in its entirety and in the way as an artist he intended it to be heard. The set list kicked off with “Queen of the Underworld” drowning the audience in sublime and pure rock and roll. Guitarist Todd Youth (formerly of  D Generation and Danzig) plays in an unrelenting fashion, knocking out perfect riffs with a tonne of energy. Bassist Johnny Martin shows the crowd exactly how a bass is meant to be played, none of this light fingered touch but rather hammering it out and becoming one with his instrument.  One of the highlights of the evening were both renditions of the moving and inspirational song ‘Brooklyn’ (band and acoustic version) which deals with growing up and being out on your own, the audience sing along, sharing this moment with the lyrical genius they have come to see.   The band seem a little tired, but this is as I find out later due to the fact they have only just arrived in the UK and despite the jet lag play as energetically as one would expect a band with such commitment to do. Not only do they play the album in full but they return to quench the audience’s appetites with a variety of songs off the later albums, in total playing for a glorifying two hours and worth every moment of it. Words: Emma Ashley  
Jesse Malin and the St Mark’s Social – Tuesday 22nd November – Ruby Lounge – Manchester Jesse Malin is on fire this evening, playing in a packed out venue, Manchester’s  trendy Ruby Lounge, he has returned to the UK this fall with his band The Saint Marks Social. The fans are there to see Malin and his extraordinary band play his 2003 debut album “The fine art of self destruction” in its entirety and in the way as an artist he intended it to be heard. The set list kicked off with “Queen of the Underworld” drowning the audience in sublime and pure rock and roll. Guitarist Todd Youth (formerly of  D Generation and Danzig) plays in an unrelenting fashion, knocking out perfect riffs with a tonne of energy. Bassist Johnny Martin shows the crowd exactly how a bass is meant to be played, none of this light fingered touch but rather hammering it out and becoming one with his instrument.  One of the highlights of the evening were both renditions of the moving and inspirational song ‘Brooklyn’ (band and acoustic version) which deals with growing up and being out on your own, the audience sing along, sharing this moment with the lyrical genius they have come to see.   The band seem a little tired, but this is as I find out later due to the fact they have only just arrived in the UK and despite the jet lag play as energetically as one would expect a band with such commitment to do. Not only do they play the album in full but they return to quench the audience’s appetites with a variety of songs off the later albums, in total playing for a glorifying two hours and worth every moment of it. Words: Emma Ashley  

Jesse Malin and the St Mark’s Social – Tuesday 22nd November – Ruby Lounge – Manchester

Jesse Malin is on fire this evening, playing in a packed out venue, Manchester’s  trendy Ruby Lounge, he has returned to the UK this fall with his band The Saint Marks Social. The fans are there to see Malin and his extraordinary band play his 2003 debut album “The fine art of self destruction” in its entirety and in the way as an artist he intended it to be heard. The set list kicked off with “Queen of the Underworld” drowning the audience in sublime and pure rock and roll. Guitarist Todd Youth (formerly of  D Generation and Danzig) plays in an unrelenting fashion, knocking out perfect riffs with a tonne of energy. Bassist Johnny Martin shows the crowd exactly how a bass is meant to be played, none of this light fingered touch but rather hammering it out and becoming one with his instrument.  One of the highlights of the evening were both renditions of the moving and inspirational song ‘Brooklyn’ (band and acoustic version) which deals with growing up and being out on your own, the audience sing along, sharing this moment with the lyrical genius they have come to see.  

The band seem a little tired, but this is as I find out later due to the fact they have only just arrived in the UK and despite the jet lag play as energetically as one would expect a band with such commitment to do. Not only do they play the album in full but they return to quench the audience’s appetites with a variety of songs off the later albums, in total playing for a glorifying two hours and worth every moment of it.

Words: Emma Ashley  

December 2011 Artist of the Month: Lindi Ortega

Posted on Wednesday December 7th 2011 at 06:07pm.

December 2011 Artist of the Month: Lindi Ortega

A few years ago I was browsing livejournal. When it was cool to update your LJ and everyone posted about their woes and favorite bands. Well I came across the name Lindi Ortega. I immediately clicked the link and found myself lost in tracks like Misery my love, coffee shops and Nothing at all. Nothing at all really described how I felt at times. Whenever I was down I’d tell myself it could be worse you could be feeling nothing.  So I went on a promotional spree. I’d spread the word on Lindi like a fire. Soon I had friends asking me where to buy a CD. I of course lead them to her website and myspace. Well Lindi’s debut album Little Red Boots  is officially out. “you’re gonna know me by my little red boots” she tells you. “You’re gonna know me by my ruby red lips” she warns once more. But I think we’re going to know her by her persistence, strong voice and willingness to bring back real country. Lindi Ortega is Artist of the month because she is a true artist.

-Jacqueline “Jax” Milom

Auditory Assault Magazine

Posted on Monday December 5th 2011 at 08:38pm. Its tags are listed below.

Sorry and the Sinatra’s Interview The Retro Bar, Manchester, Wednesday 21st October 09    The weather luckily was rather good, if not a little cold but it didn’t stop people coming out to the Retro Bar to see Sorry and the Sinatra’s supported by Redneck Zombies and Zombina and the Skeletons. Before the show I managed to catch up with the guys and see how the UK is going for them  and what advice they could give other students.  I’d been thinking there had to be differences between playing in the USA and the UK so I asked singer Scott what he thought; “ erm there’s really not much difference, just the fans are a little more up for it here. All in all the US is so big every territory is very err different you could play the North east and it could be horrible and then go down south and it could be fantastic, it’s just such a big place it’s like a different country. Yeah there’s more loyal fans in here, in the States it’s harder to keep their attention.” He says. The band first played the UK last summer, being an American band over here will always be different and on first approaching the subject Scott only had one word to say, “Nerve-racking,” then laughed. He then continued “I mean it was out first show with the proper line-up err no body had really heard of us over here. We were playing with the Loyalties and the Eureka Machines, both great bands. Going on after them was a bit nerve-racking but still like a second homcoming as their were all our frineds in the crowd.” He explains. “It was re-affirming too,” the bands bassist Roger adds.  In the media we hear so many ridiculous stories of celebrities and their demanding riders, for bands especially ones starting out they don’t get this priviallge and instead get to remember important items to take on tour. They gave me some advice on what is important to take with you, “My hat,” guitarist Dave says, “Babywipes,” was Roger’s answer, “Socks and Underwear,” were important for Scott and “Ibprophen or some type of painkiller…which we don’t have,” Roger added looking slightly sorry for himself.  Earlier on last year they bought out their debut album, ‘Highball roller,’ the name is befitting of the band,” Actually when we were writing the record all we were drinking were highballs which is scotch and soda and we were trying to figure out a name for the record, and I was like what about highball roller? I don’t even know where the roller came in.” Scott explains. “Yeah I think that we were toying with a couple of other things, it might have not been that or  that deep.” Roger added. Their debate then continues to talking about other names they’d had at the time whilst under the influence of the highball rollers and the 4 of them start laughing, they’re a fun band to be around but serious about what they’re doing.  When they were hear last they recieved a great response from music magazines and respectable London newspapers, I asked them what’s it like for them to get this type of press. “Re-affirming, you know you’re doing a good job. You never know with the press, overall they’ve been really kind to us.” Scott says. I couldn’t help but wonder what the differences are between here and the states, so Roger explained it simply, “I think it’s harder to get in the States because it’s a smaller territory here it’s easier to get it, over there you have to find it.”  It would be hard to interview any band without asking their influences amoung the names were bands like AC/DC, The Smiths, The Bronx, The New York Doll and Iron Maiden from Dave and their Drummer Lenny says, “Social Distortion, Rancid, UK Subs,”by this time there wasn;t much else to name as Roger points out before mentioning Old Kiss and Alice Cooper.  The UK fans were out in full force and I wanted to see what the band had to say to them and other fans reading about them; “come have a drink with us, come to our shows we’re actually really good.” Scott says enthusiastly and Roger adds, “you might hear of us sometime.” I suppose if you’re reading this interview then now you have.  I finish by asking if they have any other advice for musicians, the industry, job and passion were pretty much summed up by the band when Roger says, “Go to college, actually no you know what don’t listen to the ney-says it’s cliche and corny but don’t listen to the ney-says  it’ll be a rough go but if you really want it.” Then added, “be prepared.” Scott recommends, “It’s never gonna be easy, don’t overdo it no matter how big you make it,there’s always gonna be a drawback stay with it.” Lenny looks at me seriously and says, “If you love it, do it.”  With that they’re finished and off to get ready to play another great Sorry the Sinatra’s show on their first proper UK tour.   Emma C. Ashley  
Sorry and the Sinatra’s Interview The Retro Bar, Manchester, Wednesday 21st October 09    The weather luckily was rather good, if not a little cold but it didn’t stop people coming out to the Retro Bar to see Sorry and the Sinatra’s supported by Redneck Zombies and Zombina and the Skeletons. Before the show I managed to catch up with the guys and see how the UK is going for them  and what advice they could give other students.  I’d been thinking there had to be differences between playing in the USA and the UK so I asked singer Scott what he thought; “ erm there’s really not much difference, just the fans are a little more up for it here. All in all the US is so big every territory is very err different you could play the North east and it could be horrible and then go down south and it could be fantastic, it’s just such a big place it’s like a different country. Yeah there’s more loyal fans in here, in the States it’s harder to keep their attention.” He says. The band first played the UK last summer, being an American band over here will always be different and on first approaching the subject Scott only had one word to say, “Nerve-racking,” then laughed. He then continued “I mean it was out first show with the proper line-up err no body had really heard of us over here. We were playing with the Loyalties and the Eureka Machines, both great bands. Going on after them was a bit nerve-racking but still like a second homcoming as their were all our frineds in the crowd.” He explains. “It was re-affirming too,” the bands bassist Roger adds.  In the media we hear so many ridiculous stories of celebrities and their demanding riders, for bands especially ones starting out they don’t get this priviallge and instead get to remember important items to take on tour. They gave me some advice on what is important to take with you, “My hat,” guitarist Dave says, “Babywipes,” was Roger’s answer, “Socks and Underwear,” were important for Scott and “Ibprophen or some type of painkiller…which we don’t have,” Roger added looking slightly sorry for himself.  Earlier on last year they bought out their debut album, ‘Highball roller,’ the name is befitting of the band,” Actually when we were writing the record all we were drinking were highballs which is scotch and soda and we were trying to figure out a name for the record, and I was like what about highball roller? I don’t even know where the roller came in.” Scott explains. “Yeah I think that we were toying with a couple of other things, it might have not been that or  that deep.” Roger added. Their debate then continues to talking about other names they’d had at the time whilst under the influence of the highball rollers and the 4 of them start laughing, they’re a fun band to be around but serious about what they’re doing.  When they were hear last they recieved a great response from music magazines and respectable London newspapers, I asked them what’s it like for them to get this type of press. “Re-affirming, you know you’re doing a good job. You never know with the press, overall they’ve been really kind to us.” Scott says. I couldn’t help but wonder what the differences are between here and the states, so Roger explained it simply, “I think it’s harder to get in the States because it’s a smaller territory here it’s easier to get it, over there you have to find it.”  It would be hard to interview any band without asking their influences amoung the names were bands like AC/DC, The Smiths, The Bronx, The New York Doll and Iron Maiden from Dave and their Drummer Lenny says, “Social Distortion, Rancid, UK Subs,”by this time there wasn;t much else to name as Roger points out before mentioning Old Kiss and Alice Cooper.  The UK fans were out in full force and I wanted to see what the band had to say to them and other fans reading about them; “come have a drink with us, come to our shows we’re actually really good.” Scott says enthusiastly and Roger adds, “you might hear of us sometime.” I suppose if you’re reading this interview then now you have.  I finish by asking if they have any other advice for musicians, the industry, job and passion were pretty much summed up by the band when Roger says, “Go to college, actually no you know what don’t listen to the ney-says it’s cliche and corny but don’t listen to the ney-says  it’ll be a rough go but if you really want it.” Then added, “be prepared.” Scott recommends, “It’s never gonna be easy, don’t overdo it no matter how big you make it,there’s always gonna be a drawback stay with it.” Lenny looks at me seriously and says, “If you love it, do it.”  With that they’re finished and off to get ready to play another great Sorry the Sinatra’s show on their first proper UK tour.   Emma C. Ashley  

Sorry and the Sinatra’s Interview

The Retro Bar, Manchester, Wednesday 21st October 09

 

 The weather luckily was rather good, if not a little cold but it didn’t stop people coming out to the Retro Bar to see Sorry and the Sinatra’s supported by Redneck Zombies and Zombina and the Skeletons. Before the show I managed to catch up with the guys and see how the UK is going for them  and what advice they could give other students.  I’d been thinking there had to be differences between playing in the USA and the UK so I asked singer Scott what he thought; “ erm there’s really not much difference, just the fans are a little more up for it here. All in all the US is so big every territory is very err different you could play the North east and it could be horrible and then go down south and it could be fantastic, it’s just such a big place it’s like a different country. Yeah there’s more loyal fans in here, in the States it’s harder to keep their attention.” He says.

The band first played the UK last summer, being an American band over here will always be different and on first approaching the subject Scott only had one word to say, “Nerve-racking,” then laughed. He then continued “I mean it was out first show with the proper line-up err no body had really heard of us over here. We were playing with the Loyalties and the Eureka Machines, both great bands. Going on after them was a bit nerve-racking but still like a second homcoming as their were all our frineds in the crowd.” He explains. “It was re-affirming too,” the bands bassist Roger adds.

 In the media we hear so many ridiculous stories of celebrities and their demanding riders, for bands especially ones starting out they don’t get this priviallge and instead get to remember important items to take on tour. They gave me some advice on what is important to take with you, “My hat,” guitarist Dave says, “Babywipes,” was Roger’s answer, “Socks and Underwear,” were important for Scott and “Ibprophen or some type of painkiller…which we don’t have,” Roger added looking slightly sorry for himself.

 Earlier on last year they bought out their debut album, ‘Highball roller,’ the name is befitting of the band,” Actually when we were writing the record all we were drinking were highballs which is scotch and soda and we were trying to figure out a name for the record, and I was like what about highball roller? I don’t even know where the roller came in.” Scott explains. “Yeah I think that we were toying with a couple of other things, it might have not been that or  that deep.” Roger added. Their debate then continues to talking about other names they’d had at the time whilst under the influence of the highball rollers and the 4 of them start laughing, they’re a fun band to be around but serious about what they’re doing.

 When they were hear last they recieved a great response from music magazines and respectable London newspapers, I asked them what’s it like for them to get this type of press. “Re-affirming, you know you’re doing a good job. You never know with the press, overall they’ve been really kind to us.” Scott says. I couldn’t help but wonder what the differences are between here and the states, so Roger explained it simply, “I think it’s harder to get in the States because it’s a smaller territory here it’s easier to get it, over there you have to find it.”

 It would be hard to interview any band without asking their influences amoung the names were bands like AC/DC, The Smiths, The Bronx, The New York Doll and Iron Maiden from Dave and their Drummer Lenny says, “Social Distortion, Rancid, UK Subs,”by this time there wasn;t much else to name as Roger points out before mentioning Old Kiss and Alice Cooper.

 The UK fans were out in full force and I wanted to see what the band had to say to them and other fans reading about them; “come have a drink with us, come to our shows we’re actually really good.” Scott says enthusiastly and Roger adds, “you might hear of us sometime.” I suppose if you’re reading this interview then now you have.

 I finish by asking if they have any other advice for musicians, the industry, job and passion were pretty much summed up by the band when Roger says, “Go to college, actually no you know what don’t listen to the ney-says it’s cliche and corny but don’t listen to the ney-says  it’ll be a rough go but if you really want it.” Then added, “be prepared.” Scott recommends, “It’s never gonna be easy, don’t overdo it no matter how big you make it,there’s always gonna be a drawback stay with it.” Lenny looks at me seriously and says, “If you love it, do it.”

 With that they’re finished and off to get ready to play another great Sorry the Sinatra’s show on their first proper UK tour.

 

Emma C. Ashley

 

Auditory Assault Magazine

Posted on Monday December 5th 2011 at 08:21pm. Its tags are listed below.

Avenged Sevenfold, A Tribute to the Rev   It seems only fitting that the current band of the month is avenged sevenfold with the tragic loss of their drummer, James ‘The Rev’ Sullivan at the end of last year. The Rev passed away from what Orange County Police say is natural causes in his home on the afternoon of December 28th 2009, age 28.  The news hit first through Avenged Sevenfold’s official website where they posted, “It is with great sadness and heavy hearts that we tell you of the passing today of Jimmy “The Rev” Sullivan. Jimmy was not only one of the world’s best drummers, but more importantly he was our best friend and brother. Our thoughts and prayers go out to Jimmy’s family and we hope that you will respect their privacy during this difficult time. Jimmy you are forever in our hearts. We love you. M Shadows, Synyster Gates, Zacky Vengeance and Johnny Christ”.  Over the years Avenged Sevenfold have hit rock media again and again with their ever-changing sounds, risqué interviews and exciting music videos. Playing festivals and concerts all over the world they have become an iconic band, original and yet true to rock n’ roll. Their lyrics on everything from sex, drugs and rock n’ roll to religion and politics mean that they don’t take things too seriously but deliver some important messages. The Rev was always a part of the fun and the antics, a particular moment that springs to mind is in the band’s all Excess DVD where they are in the park by some ducks and he goes, “look at the size of that fucking duck!” and starts chasing it. Always charismatic, always a character, the Rev will truly be missed. I was lucky enough to catch the band twice in the UK once at Download festival in 2006 and again last year at Sonisphere festival, they play with acute accuracy and never seize to disappoint the audience. In 2006 I met them, I especially remember how friendly, sweet and funny the Rev was to all fans, never moaning about signing autographs or having photo; nothing was too much for him, he is truly a role-model for other rock stars. Many tributes across social networking sites appeared within 24 hours of the news, cards are being sent to the band and a scrapbook is being made to send to them with fans tributes. The Rev was an amazing drummer and an extremely talented musician who shall be greatly missed by family, friends, fans and fellow musicians the world over, it is a sad day when another great rock star is taken from the world too early. RIP ‘The Rev’ - February 9, 1981 – December 28, 2009 For more information and for fan tributes visit; http://www.avengedsevenfold.com/ Words: Emma Ashley
Avenged Sevenfold, A Tribute to the Rev   It seems only fitting that the current band of the month is avenged sevenfold with the tragic loss of their drummer, James ‘The Rev’ Sullivan at the end of last year. The Rev passed away from what Orange County Police say is natural causes in his home on the afternoon of December 28th 2009, age 28.  The news hit first through Avenged Sevenfold’s official website where they posted, “It is with great sadness and heavy hearts that we tell you of the passing today of Jimmy “The Rev” Sullivan. Jimmy was not only one of the world’s best drummers, but more importantly he was our best friend and brother. Our thoughts and prayers go out to Jimmy’s family and we hope that you will respect their privacy during this difficult time. Jimmy you are forever in our hearts. We love you. M Shadows, Synyster Gates, Zacky Vengeance and Johnny Christ”.  Over the years Avenged Sevenfold have hit rock media again and again with their ever-changing sounds, risqué interviews and exciting music videos. Playing festivals and concerts all over the world they have become an iconic band, original and yet true to rock n’ roll. Their lyrics on everything from sex, drugs and rock n’ roll to religion and politics mean that they don’t take things too seriously but deliver some important messages. The Rev was always a part of the fun and the antics, a particular moment that springs to mind is in the band’s all Excess DVD where they are in the park by some ducks and he goes, “look at the size of that fucking duck!” and starts chasing it. Always charismatic, always a character, the Rev will truly be missed. I was lucky enough to catch the band twice in the UK once at Download festival in 2006 and again last year at Sonisphere festival, they play with acute accuracy and never seize to disappoint the audience. In 2006 I met them, I especially remember how friendly, sweet and funny the Rev was to all fans, never moaning about signing autographs or having photo; nothing was too much for him, he is truly a role-model for other rock stars. Many tributes across social networking sites appeared within 24 hours of the news, cards are being sent to the band and a scrapbook is being made to send to them with fans tributes. The Rev was an amazing drummer and an extremely talented musician who shall be greatly missed by family, friends, fans and fellow musicians the world over, it is a sad day when another great rock star is taken from the world too early. RIP ‘The Rev’ - February 9, 1981 – December 28, 2009 For more information and for fan tributes visit; http://www.avengedsevenfold.com/ Words: Emma Ashley

Avenged Sevenfold, A Tribute to the Rev

 

It seems only fitting that the current band of the month is avenged sevenfold with the tragic loss of their drummer, James ‘The Rev’ Sullivan at the end of last year. The Rev passed away from what Orange County Police say is natural causes in his home on the afternoon of December 28th 2009, age 28.

 The news hit first through Avenged Sevenfold’s official website where they posted, “It is with great sadness and heavy hearts that we tell you of the passing today of Jimmy “The Rev” Sullivan. Jimmy was not only one of the world’s best drummers, but more importantly he was our best friend and brother. Our thoughts and prayers go out to Jimmy’s family and we hope that you will respect their privacy during this difficult time. Jimmy you are forever in our hearts. We love you. M Shadows, Synyster Gates, Zacky Vengeance and Johnny Christ”.

 Over the years Avenged Sevenfold have hit rock media again and again with their ever-changing sounds, risqué interviews and exciting music videos. Playing festivals and concerts all over the world they have become an iconic band, original and yet true to rock n’ roll. Their lyrics on everything from sex, drugs and rock n’ roll to religion and politics mean that they don’t take things too seriously but deliver some important messages. The Rev was always a part of the fun and the antics, a particular moment that springs to mind is in the band’s all Excess DVD where they are in the park by some ducks and he goes, “look at the size of that fucking duck!” and starts chasing it. Always charismatic, always a character, the Rev will truly be missed.

I was lucky enough to catch the band twice in the UK once at Download festival in 2006 and again last year at Sonisphere festival, they play with acute accuracy and never seize to disappoint the audience. In 2006 I met them, I especially remember how friendly, sweet and funny the Rev was to all fans, never moaning about signing autographs or having photo; nothing was too much for him, he is truly a role-model for other rock stars.

Many tributes across social networking sites appeared within 24 hours of the news, cards are being sent to the band and a scrapbook is being made to send to them with fans tributes.

The Rev was an amazing drummer and an extremely talented musician who shall be greatly missed by family, friends, fans and fellow musicians the world over, it is a sad day when another great rock star is taken from the world too early.

RIP ‘The Rev’ - February 9, 1981 – December 28, 2009

For more information and for fan tributes visit;

http://www.avengedsevenfold.com/

Words: Emma Ashley

Auditory Assault Magazine

Posted on Monday December 5th 2011 at 08:20pm. Its tags are listed below.

Artist: HayleyAlbum: Hayley (debut) Release Date: 8th November 08 Website: http://www.myspace.com/haleyband  When I first heard that Steve Hayley (ex. Trashlight Vision) was going on to do solo work I was greatly excited to see what he would come up with. Before I’d heard the album I was anticipating it greatly, wondering whether it would be yet another album to sound the same as similar bands before or whether it was really going to live up to what I’d hoped it to be, I had nothing to worry about… Now the debut album has finally been realised it’s defiantly been worth the wait. Along with his band mates, (Steve Hayley on Vocals and Guitar, Stripes on Drums/vocals, Vincent Hyde on lead guitar/vocals, and Mitch Hug on Bass/vocals), Hayley’s produced a fantastic album with a great mix of tracks. The first track on the album gives you a great flavour of what’s to come, “Burning Witches” is an addictively catchy song that you’ll find yourself singing for the rest of the day, the lyrics are fantastic and the rhythm is one that makes you want to get up and dance. “Hallowed” is one of the fastest songs on the track which is great for getting into a party mood with lyrics to shout and join along with, fast drum beats and a catchy chorus. “Pain is Love” is I guess a song we can all relate to! So a great song to sing along to if you’re feeling a little heart-broken or hurt, but again a great song for any day, a little heavier than some of the other songs which adds a nice mix into the album and is great to shout along to, with yet another great guitar solo.  “I’ll be there” is a good feel good song with a great rhythm and a nice guitar solo near the end. The other tracks include, “Blacked Out, Devour, Stop this ride, Leeches, Apathy and Broken Guitars”.   The last track on the album “Drown me” is a great rock n’ roll song with a distorted effect on the vocals which gives it an old skool feel, defiantly a great track to end the album on. If you’re the kind of person who loves some awesome rock music that isn’t too modern this is defiantly an album for you, with all the things you’d expect and perhaps some you wouldn’t but an album non the less for those who love their rock music. Personally I think it’s a fantastic debut album, no matter what some people may think of bands on a lower budget or not going through a mainstream label, the band still delivers the quality in their music which is worth a listen and to me when it comes to music that’s what matters.  If anything….it leaves you wanting more. Words: Emma Ashley

Artist: Hayley
Album: Hayley (debut)
Release Date: 8th November 08 
Website: http://www.myspace.com/haleyband

 When I first heard that Steve Hayley (ex. Trashlight Vision) was going on to do solo work I was greatly excited to see what he would come up with. Before I’d heard the album I was anticipating it greatly, wondering whether it would be yet another album to sound the same as similar bands before or whether it was really going to live up to what I’d hoped it to be, I had nothing to worry about… Now the debut album has finally been realised it’s defiantly been worth the wait. Along with his band mates, (Steve Hayley on Vocals and Guitar, Stripes on Drums/vocals, Vincent Hyde on lead guitar/vocals, and Mitch Hug on Bass/vocals), Hayley’s produced a fantastic album with a great mix of tracks. The first track on the album gives you a great flavour of what’s to come, “Burning Witches” is an addictively catchy song that you’ll find yourself singing for the rest of the day, the lyrics are fantastic and the rhythm is one that makes you want to get up and dance. “Hallowed” is one of the fastest songs on the track which is great for getting into a party mood with lyrics to shout and join along with, fast drum beats and a catchy chorus. “Pain is Love” is I guess a song we can all relate to! So a great song to sing along to if you’re feeling a little heart-broken or hurt, but again a great song for any day, a little heavier than some of the other songs which adds a nice mix into the album and is great to shout along to, with yet another great guitar solo. 
“I’ll be there” is a good feel good song with a great rhythm and a nice guitar solo near the end. The other tracks include, “Blacked Out, Devour, Stop this ride, Leeches, Apathy and Broken Guitars”. 
 The last track on the album “Drown me” is a great rock n’ roll song with a distorted effect on the vocals which gives it an old skool feel, defiantly a great track to end the album on. If you’re the kind of person who loves some awesome rock music that isn’t too modern this is defiantly an album for you, with all the things you’d expect and perhaps some you wouldn’t but an album non the less for those who love their rock music. Personally I think it’s a fantastic debut album, no matter what some people may think of bands on a lower budget or not going through a mainstream label, the band still delivers the quality in their music which is worth a listen and to me when it comes to music that’s what matters.
 If anything….it leaves you wanting more.

Words: Emma Ashley

Auditory Assault Magazine

Posted on Monday December 5th 2011 at 08:18pm. Its tags are listed below.

This month we have an ep review rather than an album review simply because this ep. needed reviewing and certainly deserves a mention in this months auditory assault. The ep. is “Sex, Murder, Art, Baby!” The first ep from former Dope. Murderdolls and Trashlight Vision member Acey Slade. The album includes 3 singles along with remixes from other artists such as Skinny Disco (Deathstars) and Piggy D (Amen, wed13, Rob Zombie). There’s 6 tracks on the ep which have a nice range to them and is something different to what I had first expected. The ep. Sounds like a cross between rock and industrial metal, it’s like a cross between NIN, Rob Zombie and Acey Slade’s work with his band TLV. This is defiantly an ep you can put on and dance and sing along too but also mosh and rock out too which is a good mix for fans of all different genres of rock music.  The album came with a sticker and patch and was personally signed and numbered by Acey himself. Only 200 copies were made and it is now sold out, however you can stream MP3’s from his Myspace at www.myspace.com/aceyslademusic and I can guarantee it is well worth the wait! Words: Emma Ashley
This month we have an ep review rather than an album review simply because this ep. needed reviewing and certainly deserves a mention in this months auditory assault. The ep. is “Sex, Murder, Art, Baby!” The first ep from former Dope. Murderdolls and Trashlight Vision member Acey Slade. The album includes 3 singles along with remixes from other artists such as Skinny Disco (Deathstars) and Piggy D (Amen, wed13, Rob Zombie). There’s 6 tracks on the ep which have a nice range to them and is something different to what I had first expected. The ep. Sounds like a cross between rock and industrial metal, it’s like a cross between NIN, Rob Zombie and Acey Slade’s work with his band TLV. This is defiantly an ep you can put on and dance and sing along too but also mosh and rock out too which is a good mix for fans of all different genres of rock music.  The album came with a sticker and patch and was personally signed and numbered by Acey himself. Only 200 copies were made and it is now sold out, however you can stream MP3’s from his Myspace at www.myspace.com/aceyslademusic and I can guarantee it is well worth the wait! Words: Emma Ashley

This month we have an ep review rather than an album review simply because this ep. needed reviewing and certainly deserves a mention in this months auditory assault.
 The ep. is “Sex, Murder, Art, Baby!” The first ep from former Dope. Murderdolls and Trashlight Vision member Acey Slade. The album includes 3 singles along with remixes from other artists such as Skinny Disco (Deathstars) and Piggy D (Amen, wed13, Rob Zombie). There’s 6 tracks on the ep which have a nice range to them and is something different to what I had first expected. The ep. Sounds like a cross between rock and industrial metal, it’s like a cross between NIN, Rob Zombie and Acey Slade’s work with his band TLV. This is defiantly an ep you can put on and dance and sing along too but also mosh and rock out too which is a good mix for fans of all different genres of rock music.
 The album came with a sticker and patch and was personally signed and numbered by Acey himself. Only 200 copies were made and it is now sold out, however you can stream MP3’s from his Myspace at www.myspace.com/aceyslademusic and I can guarantee it is well worth the wait!

Words: Emma Ashley

Auditory Assault Magazine

Posted on Monday December 5th 2011 at 08:16pm. Its tags are listed below.

Deathstars are this month’s band of the month which seems appropriate with the recent release of their 3rd album, “Night Electric Night”. It’s the long-awaited follow-up to their previous album, “Termination Bliss” and is fuelled with as much sex, drugs and rock n roll as the former. This album however is more to do with their personal lives and issues.  Back in 2007 Deathstars won the Metal Hammer Golden God’s award in the UK for best newcomer and since then have gone on to make many new fans with their debauchery, music, imagery and passion for real rock. The five members of the band Whiplasher, Nightmare Industries, Cat Casino, Skinny Disco and Bone W Machine are off on a world tour later on this year and will start with mainland Europe and the united Kingdom and from there….who knows.  One thing is for sure Deathstars are storming across the world country by country exciting fans everywhere and continuing to spread the word of gothic glamour and living up to their impressive reputation. Words: Emma Ashley

Deathstars are this month’s band of the month which seems appropriate with the recent release of their 3rd album, “Night Electric Night”. It’s the long-awaited follow-up to their previous album, “Termination Bliss” and is fuelled with as much sex, drugs and rock n roll as the former. This album however is more to do with their personal lives and issues.
 Back in 2007 Deathstars won the Metal Hammer Golden God’s award in the UK for best newcomer and since then have gone on to make many new fans with their debauchery, music, imagery and passion for real rock. The five members of the band Whiplasher, Nightmare Industries, Cat Casino, Skinny Disco and Bone W Machine are off on a world tour later on this year and will start with mainland Europe and the united Kingdom and from there….who knows.  One thing is for sure Deathstars are storming across the world country by country exciting fans everywhere and continuing to spread the word of gothic glamour and living up to their impressive reputation.

Words: Emma Ashley

Sonisphere Festival Review 2009 

Posted on Monday December 5th 2011 at 08:12pm. Its tags are listed below.

Sonisphere Festival Review 2009 

Sonisphere Festival

Saturday 1st August – Sunday 2nd August

Sonisphere was born this year with festivals taking place across Europe being a rock touring rock festival! It was born at the legendary venuefor festivals and concerts of Knebworth…

 

Knebworth has been home to rock legends such as Queen, Pink Floyd and Led Zeppelin in the past.

 After attending other festivals such as ‘Download festival at Donnington there was something I noticed that was different about Sonisphere straight away, it was smaller. However this wasn’t a bad thing, sometimes festivals can be overcrowded, the queues for the toilets and bars are ridiculous and you can never get any sleep, well as usual there were some queues and partying is always to be expected however Sonisphere was a festival the mind and body could cope with.

 There were two main stages so that people could catch all the main bands without missing one. There was also a third stage and a stage provided by the Jagermeister Truck and Monster Energy Drink had a stage with a DJ playing rock and metal at night along with dancing from ‘The Fuel Girls’. Entertainment was provided during the day with Guitar Hero, Guitar Hero Metallica, a funfair, arcades, shops, stalls, oxygen bar, bars, motorbike stunts and shows and loads more.

Saturday 1st August –

 The first band I saw on the Saturday was Soil who provided a lively start to the day with fans singing along loudly to the classic ‘Halo’. Anthrax made a comeback on the main stage with new singer Dan Nelson and the release of ‘worship music’ set to be out this August. The moss pits were plenty and fans and others alike enjoyed with enthusiasm.

Skindred got the party really going with their lively and brilliant mix of Reggae and metal. Singing Benji was full of live and enthusiasm as always running all over the stage and interacting with the crowd. Many people (including myself) could be seen dancing and singing along enjoying the early afternoon sunshine.

On the third stage British ‘newcomers’ Glamour of the Kill who toured with Wednesday 13 earlier on in the year played a rocking set with a rather interesting, loud and fast wall of death! The tent was rather packed.

By the time rock veterans ‘Heaven and Hell’ came on stage it was pouring down with rain. Unfortunately this spoiled the atmosphere somewhat but through the thunder, rain, flooding and mud the crowds were still there head banging. Heaven and Hell is made up of members from Black Sabbath with Ronnie James Dio, Geezer Butler, Tony Iommi and Vinny Appice. They brought a great stage show along with statues of gargoyles, smoke, fire, sparks and videos, certainly one to watch out for. 

Bullet for my Valentine weren’t as good as I’d hoped they would be, they played a good set and played favourites such as “these tears don’t fall (they crash around me)” along with new songs previously unheard. I got the impression from the crowd that the new songs won’t be as greatly received but still they played a good set. The problem wasn’t really the band but more the wind and the weather.

Headlining the Saturday were ‘Linkin Park’, defiantly one to watch if anything just to say you’d seen them life. As with all bands a highlight was seeing the bands most famous songs such as, ‘Crawling’ and ‘In the end’. However the set was perhaps too long and dragged off onto tangents a bit too often.

Other bands to play included Taking Back Sunday, Airbourne, The Used, Thunder, The Wildhearts, Rolo Tomassi, Fact and more.

Sunday 2nd August –

Sunday started with Buck Cherry and their dirty rock n’ roll music and certainly knew how to get the day started.

Later on Machine Head (who originally had pulled out after being placed under Limp Bizkit on the Bill) played as the special guests, many mosh pits and fists in the air.

Corey Taylor’s set on the third stage was crowded well so crowded in fact that I only got to see the last song, Slipknot’s front man performed his first colo acoustic set playing many Stonesour and Slipknot classics.

Limp Bizkit played on the main stage and at first I anticipated whether or not they’d be any good, my worries were soon put to rest and I was taken back by years listening to the sounds of songs famous for being silly such as, ‘Nookie’. And Fred Durst blasting out the lyrics to ‘Rollin’ and ‘Break Stuff’. Having Wes back in the band was what helped make the set if not, made it.

Alice in Chains played a good set in the late afternoon, attracting perhaps a slightly older crowd but still rocking none-the-less.

Nine Inch Nails played an interesting set, Trent Reznor was on full form if I had one problem it was that the set was perhaps a little too quiet and slow. NIN are known for their many instrumental pieces and slower pieces but for their ‘swan song’ in Europe it could have perhaps done with being a little louder and livelier. However with ‘March of the Pigs’, ‘The Hand that Feeds’ and some new songs for hard-core fans Reznor was sure to please all.

Avenged Sevenfold  a show which as usual sums up the phrase ‘rock n’ roll’ with songs from their latest self-titled album and favourites from ‘City of Evil’ and some even older classics. M Shadows voice was loud, powerful, manly and if even a slightly eerie but in a good way. Sound was carried well and guitar solos by Zacky Vengeance and Synester Gates were greatly lapped up by the crowd.

To headline and close the weekend were metal and rock legends Metallica, whether you’re a massive diehard fan or someone who just knows their most famous songs it was a set to please all and end the festival with a bang. With fireworks, guitar solos and cream pies flying around stage for James Hetfield’s birthday there was nothing to be disappointed with! In true Metallica style there was more than one encore and by the time the band had finished the crowd were left, appetites wet and wanting more.

Other bands to play included Mastodon, Cancer Bats, Killing Joke, Feeder, Thin Lizzy, Architects, Hundred Reasons, Zebrahead, The Ataris and more.

Sonisphere festival proved to be an awesome weekend and hopefully with it being a success we shall see another one next year.

Words: Emma Ashley

Auditory Assault Magazine

Posted on Monday December 5th 2011 at 08:10pm. Its tags are listed below.

AntiProduct Interview 2009 First of all thank you for doing this interview and answering the following questions. At auditory assault we always ask every band as their first question a question the band before asked so here’s yours from ‘Avoid the Destiny’. VA: What’s your dream place to travel? I’m going to Japan next month, which is my dream place, so I have to ask that. AntiProduct: Angelina Jolie’s vagina Emma: So far what do you feel has been your greatest achievement? AntiProduct: Not getting shot for being the way I am.  That, Ozzfest and now touring the world with Marky Ramone and Michale Graves formerly of the Misfits keeping the Ramones music vibrant alive and very sweaty.  New AntiProduct album, now officially titled PLEASE TAKE YOUR CASH is way up there for sure.  For that matter Sylvia Massy producing us didn’t suck either. E: The album made in the U.S.A. is self produced, when did you start producing records? AntiProduct: When I realised I’m the most anal compulsive man alive.  Even Sylvia would startle herself when I’d show up with songs that had 130 tracks on ‘em.  She aid she’d never mixed ANYTHING, not SOAD, Chilli Peppers, Pumpkins, etc had bigger sessions.   E: Where did the name anti-product come from? Ted Nugent was taken  E: Apart from music where do you draw other influences such as movies, books etc.? Antiproduct: Life and hypocrisy with a sense of humour and a beat you can fuck toE: What was your original concept and idea for the band and how has it developed? Antiproduct:  all by accident and we are on a collision course with destiny. E: Antiproduct has longevity without the help of major labels, you lost out to the best new band in the Kerrang awards to lost prophets who change their style and content with every album when the fashion changes, do you feel cheated by the fact you play such small places when you’re in essence an arena rock band? Antiproduct: ‘ell, I love the concept of a ruthlessly heavy band with Abba harmonies that are a stadium rock band called AntiProduct.  For me that works.  I made my idea of my favourite band when I was 16 and the fact that we can tour as much as we do (skin disease not withstanding) without any corporate help and we have an insanely dedicated, if underground, following makes me very proud.  I have seen so many bands I know get signed to Megacorp Records and when they don’t sell a billion units in the first minute they come out, the label drops ‘em and they are washed up at 24.  Fuckin retarded.E: To cover good vibrations was ambitious how did you make it so good that it stands up to the original? AntiProduct: Well, we’re all geniusii and had Sylvia, who is geniusier than we are produce it.  How could we go wrong, he said blithely.  E: I have a question from a fan I’m not sure whether it’ll mean much to you but they want me to ask about the time you threw up on Chris Evans from Radio 4? AntiProduct: Oh yeesh.  Fuck I almost forgot about that.  Yea, I was drunk asleep on top of the van we drove through London when I got all naked to unapologetically self promote.  I puke off the top of this fuckin thing (we ere parked outside of the Intrepid Fox at the time) and he just happened to be walking by.  Opps. Still not the stupidest thing I ever did.  I think the riot in Italy when we opened for Slayer would qualify for that honour. E: Alex when you state your influences ranging from the beach boys to cheap trick, kiss and the Beatles how do you carve the influences into one niche that is anti product? Alex:  with a great deal of effort and weed.E: Do you have any pre-show rituals that you do to ‘boost-confidence’ or prepare yourselves? AntiProduct:  goat sacrifices and Bachanalian sexual excess ala Caligula.  Thanks for askingE: When can we expect to hear some new music from you guys? AntiProduct:  May 2009E: Another thing we do at the end of our interviews is ask you to ask me a question so it can be any question you like. AntiProduct: Who are you? E: I’m Emma, thanks for asking J Lastly have you got a question for us that we can ask the next band we interview? AntiProduct: Why does your girlfriend keep facebooking me naked pictures of her getting fucked by a donkey? Words: Emma Ashley

AntiProduct Interview 2009

First of all thank you for doing this interview and answering the following questions. At auditory assault we always ask every band as their first question a question the band before asked so here’s yours from ‘Avoid the Destiny’.

VA: What’s your dream place to travel? I’m going to Japan next month, which is my dream place, so I have to ask that.

AntiProduct: Angelina Jolie’s vagina 

Emma: So far what do you feel has been your greatest achievement?

AntiProduct: Not getting shot for being the way I am.  That, Ozzfest and now touring the world with Marky Ramone and Michale Graves formerly of the Misfits keeping the Ramones music vibrant alive and very sweaty. 
New AntiProduct album, now officially titled PLEASE TAKE YOUR CASH is way up there for sure.  For that matter Sylvia Massy producing us didn’t suck either.

E: The album made in the U.S.A. is self produced, when did you start producing records?

AntiProduct: When I realised I’m the most anal compulsive man alive.  Even Sylvia would startle herself when I’d show up with songs that had 130 tracks on ‘em.  She aid she’d never mixed ANYTHING, not SOAD, Chilli Peppers, Pumpkins, etc had bigger sessions.

 
 E: Where did the name anti-product come from?

Ted Nugent was taken

 
E: Apart from music where do you draw other influences such as movies, books etc.?

Antiproduct: Life and hypocrisy with a sense of humour and a beat you can fuck to


E: What was your original concept and idea for the band and how has it developed?

Antiproduct:  all by accident and we are on a collision course with destiny.

E: Antiproduct has longevity without the help of major labels, you lost out to the best new band in the Kerrang awards to lost prophets who change their style and content with every album when the fashion changes, do you feel cheated by the fact you play such small places when you’re in essence an arena rock band?

Antiproduct: ‘ell, I love the concept of a ruthlessly heavy band with Abba harmonies that are a stadium rock band called AntiProduct.  For me that works.  I made my idea of my favourite band when I was 16 and the fact that we can tour as much as we do (skin disease not withstanding) without any corporate help and we have an insanely dedicated, if underground, following makes me very proud.  I have seen so many bands I know get signed to Megacorp Records and when they don’t sell a billion units in the first minute they come out, the label drops ‘em and they are washed up at 24.  Fuckin retarded.

E: To cover good vibrations was ambitious how did you make it so good that it stands up to the original?

AntiProduct: Well, we’re all geniusii and had Sylvia, who is geniusier than we are produce it.  How could we go wrong, he said blithely.
 

E: I have a question from a fan I’m not sure whether it’ll mean much to you but they want me to ask about the time you threw up on Chris Evans from Radio 4?

AntiProduct: Oh yeesh.  Fuck I almost forgot about that.  Yea, I was drunk asleep on top of the van we drove through London when I got all naked to unapologetically self promote.  I puke off the top of this fuckin thing (we ere parked outside of the Intrepid Fox at the time) and he just happened to be walking by.  Opps. Still not the stupidest thing I ever did.  I think the riot in Italy when we opened for Slayer would qualify for that honour.

E: Alex when you state your influences ranging from the beach boys to cheap trick, kiss and the Beatles how do you carve the influences into one niche that is anti product?

Alex:  with a great deal of effort and weed.

E: Do you have any pre-show rituals that you do to ‘boost-confidence’ or prepare yourselves?

AntiProduct:  goat sacrifices and Bachanalian sexual excess ala Caligula.  Thanks for asking

E: When can we expect to hear some new music from you guys?

AntiProduct:  May 2009

E: Another thing we do at the end of our interviews is ask you to ask me a question so it can be any question you like.

AntiProduct: Who are you?

E: I’m Emma, thanks for asking J Lastly have you got a question for us that we can ask the next band we interview?

AntiProduct: Why does your girlfriend keep facebooking me naked pictures of her getting fucked by a donkey?

Words: Emma Ashley

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